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It may be argued that Wado-ryu is a Jujutsu style rather than Okinawan Karate. When first registered with the Japanese Butokukai in 1939 the style was called Shinshu Wadoryu Karate-Jutsu, a name which reflects the hybrid nature of Wado. Wado-ryu's founder Hironori Ohtsuka was already a renowned grandmaster in Shindo Yoshin Ryu Jujutsu when he first met the Okinawan karate master Funakoshi. After having received tutelage of not only Funakoshi but later also the Okinawan masters Mabuni and Motobu, he set off to merge Shindo Yoshin Ryu with Okinawan Karate.

The result of Ohtsuka's efforts is Wado-ryu. While its techniques may be very much karate in looks, most of the underlying principles have been derived from Shindo Yoshin Ryu. A block in Wado may look much like a block in Shotokan, they are nevertheless performed from a completely different perspective. A Shotokan practitioner is likely to force an incoming fist out of the line of attack. A Wado expert, on the other hand, will rather move himself out of the line of attack while taking up a position that will gain him an advantage over the opponent. Both ways will look almost similar to the untrained eye, but couldn't be further apart when considering the tactics behind them. Key in Wado-ryu is the principle of taisabaki, often wrongly referred to as evasion. The Japanese term can be translated as body-management and refers to body manipulation so as to move the defender as well as the attacker out of harm's way. The way to achieve this is to move along rather than to move against. Or, harmony rather than strength.

Perhaps the nature of Wado is better understood when considering its Jujutsu origins. In 17th century Japan, a young physician departed on a journey to China. His name was Yoshitoki Akiyama . During his stay in China he learned Chinese healing methods as well as Chinese fighting techniques. After a while Akiyama returned to Japan and retreated in a monastery where he devoted himself to meditationMeditation usually refers to a state of extreme relaxation and concentration, in which the body is generally at rest and the mind quieted of surface thoughts. Several major religions include ritual meditation; however, meditation itself need not be a reli. During those days he also practiced and perfected his technique. One snowy day during winterThis article is about the winter season. For other uses of the term, see winter (disambiguation). Winter is one of the four seasons of temperate zones. Astronomically, it begins with the winter solstice (around December 21 in the Northern hemisphere and J, Akiyama sat gazing at a willowAbout 350, including: Salix alba White Willow Salix amygdaloides Peachleaf Willow Salix arbuscula Mountain Willow Salix aurita Eared Willow Salix babylonica Peking Willow Salix caprea Goat Willow Salix caroliniana Coastal Plain Willow Salix cinerea Grey S tree. It suddenly occurred to him that the willow tree, unlike some other trees, didn't have any broken branches, despite the heavy snow. The willow branches simply yield and allow the snow to fall off. Sturdier trees with unyielding branches suffer much heavier from the elements of nature. After this revelation he developed 303 techniques which became known as Yoshin Ryu Jujutsu or Willow Heart Style. Yoshin Ryu later evolved into Wado-Ryu but the fundamental yielding principles have still been preserved.

The term Wado-ryu can be broken into three parts: Wa, do and ryu. Wa can be read to mean harmony. Do is a Japanese term for way. ryu simply means style. Wa or harmony shouldn't be interpreted as pacifismPacifism is opposition to the practice of war. Many (but not all) pacifists have a commitment to non-violence in general in society, making a commitment to achieving one's goals only through actively non-violent resistance or non- aggressive means. Other in any way. It is merely the acknowledgment that yielding is sometimes more effective than brute strength.

However, modern karate competition tends to transform Wado-Ryu away from its roots towards a new generic karate that appeals more to the demands of both spectators and competitors.