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As a play The Tempest belongs to the class of plays commonly grouped as his late romances. In these plays, Shakespeare shows a concern with family ties and reconciliation in a typical myth-like or rarified setting.
The sorcerer Prospero, former Duke of Milan, and his daughter, Miranda, have been stranded for sixteen years on an island, after Prospero's jealous brother deposed him and set him adrift with the newborn girl. Possessed of magic powers due to his great learning and prodigious library, Prospero is reluctantly served by a spirit, Ariel, whom he has rescued from imprisonment in a tree. Ariel was imprisoned by the African witch Sycorax, who had been exiled to the island years before and died before Prospero arrived. The witch's son Caliban, a deformed monster who was the only non-spiritual inhabitant before the arrival of Prospero, has been compelled by Prospero to serve as the sorcerer's servant, carrying wood and gathering pig nuts. Caliban, provoked by the comeliness of Miranda, has proposed to her that they join in sexual union in order to create a new race to populate the island.
The play opens as Prospero, having divined that his brother, Antonio, is on a ship passing close by the island, has raised a storm (the tempest of the title) which causes the ship to run aground. Also on the ship are Antonio's friend and fellow conspirator, King Alonso, and Alonso's son, Ferdinand. Prospero, by his spells, contrives to separate all the survivors of the wreck so that Alonso and Ferdinand believe one another dead. Caliban falls in with Stephano and Trinculo , two drunken crew members, whom he believes to have come from the moon, and drunkenly attempts to raise a rebellion against Prospero, but this fails. Meanwhile, Ferdinand, imprisoned by Prospero, falls in love with Miranda. Antonio conspires to kill the King of Naples, but is diverted by a pixie. All ends happily, as Prospero forgives his enemies and produces a magical masque to celebrate the union of Miranda with Ferdinand. This is the cue for one of the best-known speeches in Shakespeare, including the lines:
In this speech, reference appears to be made to the Globe TheatreThere have been several Globe Theatres in London. The original Shakespeare Globe Theatre (see below). There was a Globe Theatre (possibly named after the original Shakespeare Theatre) in Newcastle Street, that opened in 1868 and was demolished about 1902.. The character of Prospero is believed by some to be based on Shakespeare's contemporary, Dr John DeeJohn Dee ( July 13, 1527 1608 or 1609) was a noted British mathematician, astronomer, astrologer, geographer and consultant to Elizabeth I. He was also devoted much of his life to alchemy, divination, and Hermetic philosophy. Dee straddled the worlds of s. Because The Tempest was one of Shakespeare's very last plays, it has been popular to excerpt this speech and interpret it as Shakespeare's own farewell to the theatre. Supporters of this interpretation also commonly point to the epilogue spoken by Prospero directly to the audience after the final curtain, in which he insists that his power to work his magic is finally gone and asks the audience to set him free with their approving applause ("Now my charms are all o'erthrown . . .). However, most serious critics consider this interpretation rather fanciful. Shakespeare did not end his career with The Tempest, but went on to collaborate with John FletcherJohn Fletcher was born December, 1579 (baptized December 20) in Rye, Sussex, and died in August 1625 (buried August 29 in St. Saviour's, Southwark. After William Shakespeare and Ben Jonson, John Fletcher was the most gifted and influential of the Jacobean on perhaps three more plays.