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The very first recordings in the 1870s by Thomas Edison were done on the outside surface of a strip of tinfoil wrapped around a rotating metal cylinder. By the 1880s wax cylinders were mass marketed. These had sound recordings in the grooves on the outside of hollow cylinders of slightly soft wax. These cylinders could easily be removed and replaced on the spindle of the machine which played them. These early cylinder records would commonly wear out after they were played a few dozen times; people who purchased them could then either bring the worn cylinders back to the dealer be traded in as partial credit for purchase of new recordings, or have their surface shaved smooth so new recordings could be made on them.
Early cylinder machines of the late 1880s and the 1890s were often sold with recording attachments. The ability to record as well as play back sound was an advantage to cylinder phonographs over the competition from cheaper disc record phonographs which began to be mass marketed at the end of the 1890s, as the disc system machines could be used only to play back pre-recorded sound.
Making a home recording
Two Edison cylinder records (on either end) and their cardboard storage cartons (center).
Cylinders were sold in cardboard tubes, with cardboard lids at each end. These containers helped protect the recordings. These containers and the shape of the cylinders (together with the "tinny" sound of early records compared to live music) prompted the nickname Canned music.
Portion of the label on the outside of a Columbia Records cylinder package, before 1901. Note the title of the recording is hand written on the label.
Record companies usually had a generic printed label on the outside of the cylinder package, with no indication of the identity of the individual recording inside. Early on such information would be written on the labels by hand, one at a time. Slightly later, the record number would be stamped on the top lid, then a bit later the title and artist of the recording would be printed on to labels on the lid. Shortly after the start of the 20th century, an abbreviated version of this information (together with the name of the record company) would be printed or impressed on to one edge of the cylinder itself. Previously the actual cylinders had no such visual identification. However they would have a spoken announcement of the song or performance title, recording artist, and record company recorded on to the beginning of the recording.
Small paper inserts were with the recording information and placed inside the package with the cylinders. At first this was hand written or typed on each slip, but printed versions became more common once cylinders of certain songs were sold in large enough quantities to make this economically practical.
Note in the example on the right, from Edison Records, 1902, the consumer is invited to cut out the circle with printed information. This paper circle could then be pasted either to the lid of the cylinder container, or (as this example prompts) to a spindle for this cylinder in specially built cabinets for holding cylinder records which were marketed by record companies. Only a minority of cylinder record customers purchased such cabinets.
Over the years the type of wax used in cylinders was improved and hardened so that cylinders could be played over 100 times. In 1902 Edison Records launched a line of improved hard wax cylinders marketed as "Edison Gold Molded Records".