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He held a series of positions as organist and maestro di cappella (choirmaster) between 1607 and 1626, when he succeeded Vincenzo Ugolini as conductor of the pope's orchestra in St Peter's.
All of his surviving works are sacred music, and most are written in the prima prattica, the conservative polyphonic style of the late 16th century, although some of his motets use some of the new concertato style. He was a highly sophisticated contrapuntist, often using strict canonic techniques; in addition he used colorful sonorities, changes of meter between sections, and colorful chromaticism, showing an acquaintanceship with contemporary secular practice as well as the work of the Venetian School. An Agnus DeiThe Agnus Dei the figure of a lamb bearing a cross, is a symbol of Jesus Christ as the Lamb of God''. The device is common in ecclesiastical art, but the name is especially given in the Church of Rome to a small cake made of the wax of the Easter candles for eight voices is especially admired.
Agostino, Paolo Agostino, Paolo