Home > New musicology

• "Musicology fastidiously declares issues of musical signification off-limits to those engaged in legitimate scholarship."

In constrast, McClary's 'new musicology' treats music:

• "as a medium that participates in social formation by influencing the ways we perceive our feelings, our bodies, our desires, our very subjectivities - even if it does so surreptitiously, without most of us knowning how. It is too important a cultural force to be shrouded by mystified notions of Romantic transcendence."

This may be interpreted as saying there is no absolute music, that all music has sexual, political, personal and emotional programs.

Thus, new musicology has much in common with ethnomusicologyEthnomusicology is the study of music in its cultural context, cultural musicology. It can be considered the anthropology or ethnography of music. Jeff Todd Titon has called it the study of "people making music". It is often thought of as a study of non-W. In the words of Rose Rosengard Subotnick :

• "For me...the notion of an intimate relationship between music and society functions not as a distant goal but as a starting point of great immediacy, and not as an hypothesisA hypothesis is a proposed explanation for a phenomenon. In early usage, a hypothesis was a clever idea or convenient mathematical approach that would simplify calculation but did not necessarily have any reality at all. This is the sense in which Cardina but as an assumptionAn assumption is a proposition that is assumed, i. treated within the context of a discussion as if it were known. The mortgage transfer from the seller to the buyer. See also Assumption of Mary for an account of the religious dogma known by that name.. It functions as an idea about a relationship which in turn allows the examination of that relationship from many points of view and its exploration in many directions. It is an idea that generates studies the goal of which (or at least one important goal of which) is to articulate something essential about why any particular music is the way it is in particular, that is, to achieve insight into the character of its identityIn philosophy, identity is the quality of being "the same as". It is of particular interest to logicians and metaphysicians. Logic In logic, the identity relation is normally, (by definition), the transitive, symmetric, and reflexive relation that holds o."

She counts as her influences Arnold SchoenbergArnold Schoenberg (the anglicized form of Schonberg Schoenberg changed the spelling officially when he became a U. citizen) ( September 13, 1874 July 13, 1951) was a composer, born in Vienna, Austria. He is particularly remembered as one of the first comp, Theodor Adorno, Immanuel KantImmanuel Kant ( April 22, 1724 February 12, 1804) was a Prussian philosopher, generally regarded as the last major philosopher of the Enlightenment, having a major impact on the Romantic and Idealist philosophies of the 19th century, and as one of history, Leonard Meyer , and others. "Like Schoenberg, though in a very different way, Meyer refused to undervalue the significance of music and, more generally, of aesthetic models for making sense of human knowledge and experience. Like Schoenberg's enterprise, though in very different ways, Meyer's criticism is responsible in a profoundly moral as well as intellectual way." (p.297n18)

New musicologists include:

• Lawrence Kramer
• Susan McClary
• Rose Rosengard Subotnick
• Robert WalserRobert Walser is a musicologist associated with the " new musicology". He is author of Running With the Devil: Power, Gender, and Madness in Heavy Metal Music BooksEnthsiast.com. Robert Walser currently is a member of the faculty at the University of Califor

Critic include

• Charles Rosen

See also:

• Walter Benjamin