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Tunisia is a North African country with a predominately Arab population. The country is best-known for malouf , a kind of music imported from Andalusia after the Spanish conquest in the 15th century. Though in its modern form, malouf is likely very dissimilar to any music played more than four centuries ago, it does have its roots in Spain and Portugal, and is closely related to genres with a similar history throughout North Africa, including malouf's Libyan cousin, Algerian gharnata and Moroccan ala or Andalusi . 20th century musicians from Tunisia include Anouar Brahem , an oud player, and El Azifet , a rare all-female orchestra, and Khemais Tarnane , Raoul Journou , Saliha , Saleh Mehdi , Ali Riahi , Hedi Jouini , and Fethia Khairi .

Modern music festivals in Tunisia include Testour 's Arab Andalusian Music Festival and the Sahara Festival in Douz.

1 Malouf

Main article: Malouf

Malouf is played by small orchestras, consisting of violins, drums, sitars and lutes. Modern malouf has some elements of Berber music in the rhythms, but is seen as a successor to the cultural heights reached by Muslim Andalusia. Malouf has been called an "an emblem of (Tunisian) national identity" [1]. Nevertheless, malouf can not compete commercially with popular music, much of it Egyptian, and it has only survived because of the efforts of the Tunisian government and a number of private individuals. Malouf is still performed in public, especially at weddings and circumcision ceremonies, though recordings are relatively rare. The term malouf translates as familiar or customary.

Baron Erlanger is an important figure of modern Tunisian music. He collected the rules and history of malouf, which filled six volumes, and set up Rachidia , an important conservatory which is still in use.

1.1 Structure

Malouf is based on qasidah , a kind of classical Arabic poetry, and comes in many forms, including the post-classical muwashshah , which abandons many of qasidah's rules, shgul , a very traditional form, and zajal , a modern genre with a unique format.

The most important structural element of malouf, however, is the nuba, a two-part suite in a single maqam (an Arab mode organized by quarter-tones), which lasts about an hour. Rhythms generally grow more complex from one nuba to the next, as well as within each nuba.

According to legend, a distinct nuba once existed for every day, holiday and other event, though only thirteen remain. Partway through a nuba, an improvisational section was played in the maqam of the following day to ready the audience for the next performance.



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