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While many individuals are content to play a musical instrument " by ear" or by practicing individual pieces until a reasonable proficiency is achieved, others wish to develop mastery of one or more instruments, and commonly seek formal instruction in the form of music lessons. For people attempting to learn their first instrument, typical elements of such a lesson are as follows.

1 Posture and style

Perhaps one of the most obvious things one needs to know about playing an instrument is how to perform on it. This includes how to hold it, how to manipulate one's fingers and what how to achieve the correct posture for maximum playing results.

For all instruments, the best way to move the fingers to achieve a desired effect is to learn to play with the least tension in your hands and body. Maximum tecnique is achieved with the most relaxed muscles. This also prevents forming habits which may lead to injuries resulting from incorrect use of the skeletal frame and muscles. For example, when playing the piano, "fingering"—that is, which fingers to put on which keys—is a skill slowly learnt as the student advances, and there are many standard techniques which a teacher can pass on. In addition to fingering, a guitar player learns how to strum, pluck, etc; players of wind instruments learn about breath control and embouchure, and singers learn how to make the most of their vocal cords without hurting them.

2 Theory

In order to more fully understand the music being played, the student must learn about the underlying music theory. Along with reading musical notation, students learn rhythmic techniques like controlling tempo and recognizing time signatures, as well as the theory of harmony, including chordIn music and music theory a chord (from the middle English cord, short for accord) is now three or more notes sounding simultaneously, or near simultaneously over a period of time. Originally however, a chord simply meant the sounding together of differens and key signatureIn musical notation, a key signature is a series of sharp symbols or flat symbols placed on the staff, designating notes that are to be played sharp or flat unless otherwise noted with an accidental. Key signatures are generally written immediately afters.

In addition to basic theory, a good teacher will stress musicality, or how to make the music sound good. This includes tone, phrasing, and proper use of dynamicsIn music, dynamics refers to the volume or loudness of the sound, in particular to the range from soft to loud. The term is also applied to the written or printed musical notation used to indicate dynamics. The renaissance composer Giovanni Gabrieli was o.

3 Drilling

Although not universally accepted, many teachers drill students with the repetitive playing of certain patterns, such as scalesIn music, a scale is an ascending or descending series of notes or pitches, as opposed to a series of intervals, which is a musical mode. Each note in a scale is referred to as a scale degree''. Though the scales from musical traditions around the world a, arpeggios, and rhythmRhythm is the variation of the duration of sounds over time. When governed by rule, it is called meter. It is inherent in any time-dependent medium, but it is most associated with music, dance, and most poetry. The study of rhythm, stress, and pitch in sps. In addition, there are flexiblity studies, which make it physically easier to play the instrument. There are sets of exercises for piano designed to stretch the connection between fourth and fifth fingers, making them more independent. Brass players practice lip slurs, which are unarticulated changes in embouchure between partials.



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