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Keith's style is considered unique in the rap world, earning him a perennial nod from the underground hip-hop community. Bizarre, often seemingly disjointed, even delusional or disassociated themes, concepts, and references tend to season the average Kool Keith track or album. Nearly all of his albums incorporate a satirical dislike for more commercialized strains of hip-hop, which he finds to be devoid of any heart. Similarly, nearly all of his works lambast major labels and the glory of being famous.
Perhaps to illustrate his point, Keith estranged himself from a substantial portion his fan base after the release of his Automator-produced Dr. Octagonecologyst. Released under the persona of "Dr. Octagon", the album received heavy critical acclaim, getting widespread play especially among non-traditional indie rock and underground hip-hop crowds. Due to disagreements with Automator and other collaborators over who was benefitting more from the success of the album (especially after an instrumental version of the album, Instrumentalyst, which showcased the production rather than Thorton's lyrics, also became a rising success), Keith abandoned the character by his next album, the KutMasta Kurt -produced First Come, First Served. Released under the persona Dr. Dooom, it opens with the track "Who Killed Dr. Octagon?" in which Keith's new identity literally kills off the Dr. Octagon persona for good. (Perhaps as a jab at Instrumentalyst
Thorton dabbled again in the Automator-inspired sci-fi rap theme in part of his subsequent album, Lost In Space/Black Elvis, which included the Octagon-esque single "Lost In Space", but not with much dedication, as he moved on to the "Black Elvis" persona in the latter half of the album.
He returned to his commercialism-critical bitterness in the subsequent album, 20012001 is a common year starting on Monday (see link for calendar), and also: The International Year of the Volunteer The United Nations Year of Dialogue Among Civilizations Events January January 1 A black monolith measuring approximately nine feet tall ap's Matthew, including the widely-cited anti-label rant "Test Press", lambasting mainstream rap record labels as being "white" and damning them for performing devious, duplicitous tricks with acts, artistic decisions, and profits.