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Holy Name Cathedral was built in the Gothic revival architectural style while at the same time integrating motifs symbolic of the message of the modern Church. The church building is 233 feet long, 126 feet wide and can seat 1520 people. The ceiling is 70 feet high and has a spire that reaches 210 feet into the sky. Overall, the cathedral features motifs meant to instill an ambience of physically dwelling in the biblical "Tree of Life."
The first feature that greets worshipers are massive bronze doors designed by Albert J. Friscia that weigh 1200 pounds each. The doors introduce the overall "Tree of Life" theme with intricate details that serve to make the doors look like overwhelming planks of wood. Beyond the doors is a vestibule encased in glass.
Once inside the church, the most striking feature is the suspended Resurrection Crucifix sculpted by the artist Ivo Demetz . A Resurrection Crucifix was preferred, as opposed to the more common Agony Crucifix of the dying Christ, in recognition of the importance of the Easter story in the actual birth of Christianity as a religion. Adorning the walls of the nave are the Stations of the Cross by artist Goffredo Verginelli depicting the Passion, Crucifixion and Resurrection of Christ. The stations are cast in bronze and framed in red Rocco Alicante marble.
Various bronze sculptures are featured in other parts of the church. One of the largest pieces is the Ambo of the Evangelists by Eugenio de Courten . An ambo, in church liturgy, is the lectern from which readings of Holy Scripture are proclaimed. The bronze casting depicts the authors of the Gospels with their symbols: Matthew, the angel representing the Gospel of the Church; Mark, the lion and inspiration for Peter’s teachings or catechesis; Luke, the ox, for his recounting of Christ’s infancy; John, the eagle, for the writer of the Spiritual Gospel, recounting the story of "the Word made flesh."
Also by de Courten is the Ambo of the Evangelists, a bronze casting depicting the authors of the apostolic letters to the early Church communities: Peter, with keys to the Kingdom of God; Paul, who died by the sword; James, representing faith sustained by good works; and Jude, carrying a whip representing correction. This particular ambo is used by lectors and cantors during Sunday masses and other special Church feasts and memorials.
Six tons of monolithic red-black Rosso Imperiale di Solberga granite forms the mensa or table top of the altar. The pedestal is encircled by a bronze bas-relief depicting Old Testament scenes of sacrificial offerings and preparation: Abel's offering of the first sacrifice, the priest Melchizedek giving bread and wine, Abraham's willingness to sacrifice his son Isaac, and the Prophet Elijah receiving bread and water from the Angel of the Lord for strength to continue on his journey. The consecrated altar contains relics, or actual artifacts from the bodies of Saint John the Apostle and Saint Timothy.