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The traditional music in Korea is based on the voice. It is thought that the voice is a distinctively Korean voice, reflecting the temperament and history of Korean people. There are two kinds of traditional music: Jeongak and Minsogak.
Also see: Music of Korea
Jeongak is court music and has a strong intellectual emphasis. This kind of traditional music is closely related to the upper-class, the literate. Jeongak is played at a very slow pace. Some single beats can take three seconds. The beat matches the speed of breathing rather than the heartbeat as in most Western music. As a result of this slow speed, the music feels static and mediative. Most people do not take pleasure in listening to this kind of music.
The tone of Jeongak is soft and tranquil because the traditional instrument are made of non-metallic materials. String instruments have strings made of silk rather than wire. Almost all wind instruments are made of bamboo.
Minsogak is Korea's traditional folk music and is full of expressions and emotions. This kind of traditional music is closely related to the lives of common people. In opposition to Jeongak, the music of Minsogak matches the heartbeat.
As with the Jeongak, improvisation is common in Minsogak. This is much more evident in the emotional music of Minsogak.
Traditional Korean wind instruments include the cylindrical oboe (piri), metal-bell shawm (taepyeongso), transverse flute (daegeum), end-blown flute (danso), mouth organ (saenghwang) and the ocarina (hun).
Traditional string instruments include the twelve-stringed zither (gayageum), the six-stringed zither (geomungo), the seven-stringed zither (ajaeng) and the two-stringed fiddle (haegeum).
There is a great number of traditional percussion instruments, including the hand-held gong (kkwaenggwari), the hanging gong (jing), barrel drum (buk), hourglass drum (janggu), clapper (bak), bell chimes (pyeonjong), stone chimes (pyeongyeong), as well as the tiger-shaped scraper (eo) and the wooden box (chuk).
Apart from the instruments used, traditional Korean music is characterized by improvisation and the lack of breaks between movements. Pansori is a good example of the latter. A pansori performance can last for over eight hours during which a single singer performs continuously.
Rather than contrasting different speeds as it is common in Western music, most traditional Korean music begins with the slowest movement and then accelerates as the performance continues.
Traditional dances have been part of Korea's culture ever since it can be remembered. The cross cultural exchanges with China and between the three Kingdoms produced a large variety of distinctive dances. There is a distinction made between native dances (hyangak jeongjae) and imported dances (dangak jeongjae) which refers to dances imported from China.
As with music, there is a distinction between court dances and folk dances. Common court dances are jeongjaemu performed at banquets, and ilmu. Ilmu are line dances performed at Confucian rituals. Jeongjaemu is divided into native dances (hyangak jeongjae) and imported forms (dangak jeongjae). Ilmu are divided into civil dance (munmu) and military dance (mumu).
Folk dances are commonly divided into religious dances which are led by monks and secular dances which are performed by the ordinary people. Religious dances include all the performances at shamanistic rites (gut). Secular dances include both group dances and individual performances.
Traditional choreography of court dances is reflected in many contemporary productions.