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Home > Charles-Marie-René Leconte de Lisle


 

Charles-Marie-René Leconte de Lisle ( October 22, 1818 - July 17, 1894), was a French poet of the Parnassian movement.

Born in the island of Réunion, his father, an army surgeon, who brought him up with great severity, sent him to travel in the East Indies with a view to preparing him for a commercial life. After this voyage he went to Rennes to complete his education, studying especially Greek, Italian and history. He returned once or twice to Réunion, but in 1846 settled definitely in Paris. His first volume, La Venus de Milo, attracted to him a number of friends many of whom were passionately devoted to classical literature. In 1873 he was made assistant librarian at the Luxembourg; in 1886 he was elected to the Académie française in succession to Victor Hugo. His Poèmes antiques appeared in 1852; Poèmes et poésies in 1854; Le Chemin de la croix in 1859; the Poèmes barbares, in their first form, in 1862; Les Érinnyes, a tragedy after the Greek model, in 1872; for which occasional music was provided by Jules Massenet; the Poèmes tragiques in 1884; L'Apollonide, another classical tragedy, in 1888; and two posthumous volumes, Derniers poèmes in 1899, and Premières poésies et lettres intimes in 1902. In addition to his original work in verse, he published a series of admirable prose translations of TheocritusTheocritus the creator of bucolic poetry, flourished in the 3rd century BC. Little is known of him beyond what can be inferred from his writings. We must, however, handle these with some caution, since some of the poems (" Idylls") commonly attributed to, HomerFor other uses, see Homer (disambiguation). Homer ( Greek Ὅμηρος Hómēros was a legendary (or perhaps mythical) early Greek poet traditionally credited with authorship of the major Greek epics Iliad a, HesiodThis article discusses the Greek poet. Alternative article: Hesiod (computer system . Hesiod Hesiodos was an early Greek poet, believed to have lived around the year 700 BC. From the 5th century BC literary historians have debated the priority of Hesiod o, AeschylusThis article is about the ancient Greek playwright. For other uses, see Aeschylus (disambiguation Aeschylus ( 525— 456 BC; Greek: iota;υ&omicron was a playwright of ancient Greece. Born in Eleusis, a district of the Athenian state, he wrote his fi, SophoclesSophocles ( 4961— 406 BC; Greek: Sigma;οφοκλη&sigmaf was an ancient Greek playwright, dramatist, priest, and politician of Athens. He is known as the second of the three great Greek tragedians; Sophocles was 30 years y, EuripidesEuripides (c. 480 BC 406 BC) was one of the three great tragedians of classical Athens, along with Aeschylus and Sophocles; he was the youngest of the three and was born c. His mother's name was Cleito, and his father's either Mnesarchus or Mnesarchides., HoraceQuintus Horatius Flaccus ( December 8, 65 BC 8 BC) known in the English world as Horace was the leading lyric poet in Latin. Horace was the son of a freedman, but himself born free. His father spent considerable money on Horace's education, sending him to. He died at Voisins , near Louveciennes ( YvelinesYvelines Details Information Number78 Region Ile-de-France Prefecture Versailles Subprefectures Mantes-la-Jolie Rambouillet Saint-Germain-en-Laye Population Total 1999 Density Ranked 8th 1,354,304 593 /km² Area 2,284 km² Arrondissements 4 Cantons 39 Commu).

In Leconte de Lisle the Parnassian movement seems to crystallize. His verse is clear, sonorous, dignified, deliberate in movement, classically correct in rhythm, full of exotic local colour, of savage names, of realistic rhetoric. It has its own kind of romance, in its "legend of the ages," so different from Hugo's, so much fuller of scholarship and the historic sense, yet with far less of human pity. Coldness cultivated as a kind of artistic distinction seems to turn all his poetry to marble, in spite of the fire at its heart. Most of Leconte de Lisle's poems are little chill epics, in which legend is fossilized. They have the lofty monotony of a single conception of life and of the universe. He sees the world as what Byron called it, "a glorious blunder," and desires only to stand a little apart from the throng, meditating scornfully. Hope, with him, becomes no more than this desperate certainty:

"Tu te tairas, ô voix sinistre des vivants!"

His only prayer is to Death, "divine Death," that it may gather its children to its breast:

"Affranchis-nous du temps, du nombre et de l'espace, Et rends-nous le repos que la vie a troublé!"

The interval which is his he accepts with something of the defiance of his own Cain, refusing to fill it with the triviality of happiness, waiting even upon beauty with a certain inflexible austerity. He listens and watches, throughout the world, for echoes and glimpses of great tragic passions, languid with fire in the East, a tumultuous conflagration in the middle ages, a sombre darkness in the heroic ages of the North. The burning emptiness of the desert attracts him, the inexplicable melancholy of the dogs that bark at the moon; he would interpret the jaguar's dreams, the sleep of the condor. He sees nature with the same wrathful impatience as man, praising it for its destructive energies, its haste to crush out human life before the stars fall into chaos, and the world with them, as one of the least of stars. He sings the "Dies Irae" exultingly; only seeming to desire an end of God as well as of man, universal nothingness. He conceives that he does well to be angry, and this anger is indeed the personal note of his pessimism; but it leaves him somewhat apart from the philosophical poets, too fierce for wisdom and not rapturous enough for poetry.



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