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The story concerns a photographer named Thomas (Hemmings) who may or may not have inadvertently preserved evidence of a murder, which may or may not involve a mysterious woman (Redgrave) who visits the photographer in his studio.
As is typical with Antonioni films, the story does not include a great deal of action, mystery, or explosive dialogue. Antonioni's visual and verbal emphasis is on the environment surrounding the principal character and how it affects him or fails to do so.
The plot, such as it is, is loosely based on Las babas del diablo, a short story by the Argentinian writer Julio Cortázar.
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1966 films