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In Rome he executed in Santa Maria in Aracoeli a fresco of "St Anthony and Two Angels." In 1449 he left Angelico, and went to Montefalco in Umbria. In the church of S. Fortunato, near Montefalco, he painted a "Madonna and Child with Saints and Angels," and three other works. One of these, the altar-piece representing St Thomas receiving the Girdle of the Virgin, is now in the Lateran Museum . and shows the affinity of Gozzoli's early style to Angelico's. He next painted in the monastery of S. Francesco, Montefalco, filling the choir with a triple course of subjects from the life of the saint, with various accessories, including heads of Dante, Petrarch and Giotto. This work was completed in 1452, and is still marked by the style of Angelico, crossed here and there with a more distinctly Giottesque influence. In the same church, in the chapel of Saint Jerome, is a fresco by Gozzoli of the Virgin and Saints, the Crucifixion and other subjects.
He remained at Montefalco (with an interval at Viterbo) probably till 1456Events July 7 Joan of Arc acquitted (but she had already been executed). July 21 July 22. Battle of Belgrade. The Hungarians under John Hunyadi rout the Turkish army of Sultan Mehmed II August 20 Vladislav II, reigning Prince of Wallachia is killed in bat, employing MezzastrisPier Antonio Mezzastris (or Mezastris (c. 1506), Italian painter, was born at Foligno in Umbria, and belongs to the Umbrian school of painting. He painted religious subjects, working mostly in fresco, and was a local painter, in that all of his known work as assistant. Thence he went to PerugiaPerugia (population 150,000) is a city in the region of Umbria in central Italy, near the Tiber river, and the capital of the province of Perugia. Perugia gave its nickname to the famous painter Perugino (Pietro Vannucci), who lived and worked there., and painted in a church a "Virgin and Saints," now in the local academy, and soon afterwards to his native Florence, the headquarters of art. By the end of 1459 he had nearly finished his important labour in the chapel of the Palazzo Riccardi, the "Journey of the Magi to Bethlehem," and, in the tribune of this chapel, a composition of Angels in a Paradise. His picture in the National Gallery, London, a "Virgin and Child with Saints," 1461, belongs also to the period of his Florentine sojourn. Another small picture in the same gallery, the "Rape of Helen," is of dubious authenticity.
In 1464Events February Christian I of Denmark and Norway who was also serving as King of Sweden is declared deposed from the later throne. His deposed predecessor Charles VIII of Sweden is re-elected to the throne. April 25 Battle of Hedgeley Moore Yorkist force Gozzoli left Florence for S. GimignanoThe Collegiata is the main church of San Gimignano, Tuscany, situated in the Piazza del Duomo at the town's heart. It was once the Duomo ( cathedral), but since San Gimignano no longer has a bishop it has reverted to the status of a collegiate church., where he executed some extensive works; in the church of S. Agostino, a composition of "St Sebastian protecting the City from the Plague" of this same year, 1464; over the entire choir of the church, a triple course of scenes from the legends of St Augustine, from the time of his entering the school of Tegaste on to his burial, seventeen chief subjects, with some accessories; in the Pieve di S. Gimignano, the Martyrdom of Sebastian, and other subjects, and some further works in the city and its vicinity. Here his style combined something of Lippo Lippi with its original elements, and he received co-operation from Giusto d'Andrea.
He stayed in this city till 1467Events October 29 Battle of Brusthem: Charles the Bold defeats Liege Beginning of the Sengoku Period in Japan. Circa this year, polyalphabetic cipher invented by Leone Battista Alberti. Regent of Sweden Erik Axelsson Tott supports the re-election of depos, and then began, in the Campo Santo of PisaThis article is about Pisa in Italy. For other places of the same name, see Pisa (disambiguation). Pisa (population 90,000) is a city in Tuscany, Italy at the mouth of the river Arno on the Mediterranean. By far the best known sight in Pisa is the famous, from 1469, the vast series of mural paintings with which his name is specially identified. There are twentyfour subjects from the Old Testament, from the "Invention of Wine by Noah" to the "Visit of the Queen of Sheba to Solomon." He contracted to paint three subjects per year for about ten ducats each--a sum which may be regarded as equivalent to £100 in 1911. It appears, however, that this contract was not strictly adhered to, for the actual rate of painting was only three pictures in two years. Perhaps the great multitude of figures and accessories was accepted as a set-off against the slower rate of production.
By January 1470 he had executed the fresco of "Noah and his Family," followed by the "Curse of Ham," the "Building of the Tower of Babel" (which contains portraits of Cosmo de Medici , the young Lorenzo Politian and others), the "Destruction of Sodom," the Victory of Abraham, the Marriages of Rebecca and of Rachel, the Life of Moses, etc. In the Cappella Ammannati, facing a gate of the Campo Santo, he painted also an " Adoration of the Magi," wherein appears a portrait of himself.
All this enormous mass of work, in which Gozzoli was probably assisted by Zanobi Macchiavelli , was perfarmed, in addition to several other pictures during his stay in Pisa (we need only specify the "Glory of St Thomas Aquinas," now in the Louvre), in sixteen years, lasting up to 1485. This is the latest date which can with certainty be assigned to any work from his hand, although he is known to have been alive up to 1498. In 1478 the Pisan authorities had given him, as a token of their regard, a tomb in the Campo Santo. He had likewise a house of his own in Pisa, and houses and land in Florence. In rectitude of life he is said to have been worthy of his first master, Fra Angelico.
The art of Gozzoli does not rival that of his greatest contemporaries either in elevation or in strength, but is pre-eminently attractive by its sense of what is rich, winning, lively and abundant in the aspects of men and things. His landscapes, thronged with birds and quadrupeds, especially dogs, are more varied, circumstantial and alluring than those of any predecessor; his compositions are crowded with figures, more characteristically true when happily and gracefully occupied than when the demands of the subject require tragic or dramatic intensity, or turmoil of action; his colour is bright, vivacious and festive. Gozzoli's genius was, on the whole, more versatile and assimilative than vigorously original; his drawing not free from considerable imperfections, especially in the extremities and articulations, and in the perspective of his gorgeously-schemed buildings. In fresco-painting he used the methods of tempera, and the decay of his works has been severe in proportion. Of his untiring industry the recital of his labors and the number of works produced are the most forcible attestation.
Vasari, Crowe and Cavalcaselle, and the other ordinary authorities, can be consulted as to the career of Gozzoli. A separate Life of him, by H. Stokes, was published in 1903 in Newnes's Art library.This article incorporates text from the public domain 1911 Encyclopędia Britannica. 1911 Britannica
Gozzoli, Benozzo Gozzoli, Benozzo