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The Adoration of the Magi is the name traditionally given to a Christian religious scene in which the three Magi, almost always represented as kings, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh: in the church calendar, this event is commemorated as the Feast of the Epiphany. Christian iconography has considerably expanded the bare account given in the second chapter of the Gospel of Matthew (2:1‑11) and used it to press the point that Jesus was recognized, from his earliest infancy, as king of the earth.For this reason, the three kings are shown as diverse as possible, and the scene often includes a fair diversity of animals as well: the ox and ass from the Nativity scene are usually there, but also the horses, camels, dogs, and falcons of the kings and their retinue, and sometimes other animals, such as birds in the rafters of the stable. The Adoration of the Magi is occasionally also conflated with the Adoration of the Shepherds from the account in the Gospel of Luke (2:8‑20), an opportunity to bring in yet more human and animal diversity; in some compositions ( triptychs for example), the two scenes are contrasted or set as pendants to the central scene, usually a Nativity.
Medieval artists usually expressed this human diversity by depicting the three ages of man: a particularly beautiful example is seen on the façade of the cathedral of Orvieto. Since the Age of Discoveries, on the other hand, the Magi are frequently made to represent three parts of the world, and the diversity tends to be racial: Balthasar is very commonly cast as an African or Moor, and Caspar is sometimes given Oriental features. From the artist's standpoint, the Adoration of the Magi is often a bravura piece in which the artist can display their handling of complex, crowded scenes involving horses and camels, but also their rendering of varied textures: the silk, fur, jewels and gold of the Kings set against the wood of the stable, the straw of Jesus's manger and the rough clothing of Joseph and the shepherds.
The usefulness of the subject to the Church and the technical challenges involved in representing it have made the Adoration of the Magi a favorite subject of Christian art: chiefly painting, but also also sculpture and even music (as in Gian Carlo Menotti's Amahl and the Night Visitors ).
Treatment by individual artists
Many hundreds of artists have treated the subject. A very partial list of the most celebrated follow, reading like a who's-who of painters:
- Gentile da Fabriano's Adoration of the Magi, now in the Uffizi Gallery, Florence, is probably the most famous painting of the scene.
- Bosch: Museo del Prado, Madrid
- Botticelli: Uffizi Gallery, Florence
- Pieter Brueghel the YoungerPieter Brueghel the Younger ( 1564 1638) was a Flemish Renaissance painter, son of Pieter Brueghel the Elder. Nicknamed 'Hell Brueghel' for one of the common subjects of his paintings. Works include: Village Fair The Crucifixion Winter, Hunter in the Snow: National Gallery, PragueStatistics Area:496 km² Population: 1,169,106 2001 Map Prague Praha in Czech) is the capital and largest city of the Czech Republic. Situated on the Vltava river in central Bohemia, it is home to approximately 1. 2 million inhabitants. It can be derived f
- Dürer: Uffizi Gallery, Florence
- Fra AngelicoIl Beato Fra Giovanni Angelico da Fiesole ("the Beatified Friar John the Angelic of Fiesole") ( Vicchio di Mugello ( Florence) 1395 c. Rome 1455), better known in the English-speaking world as Fra Angelico ("the Angelic Friar"), or in Continental Europe a: Museo S. Marco, Florence
- Ghirlandaio: Spedale degli Innocenti, Florence
- Benozzo GozzoliBenozzo Gozzoli ( 1424? ), Italian painter, was born in Florence in 1424, or perhaps 1420, and in the early part of his career assisted Fra Angelico, whom he followed to Rome and worked with at Orvieto. In Rome he executed in Santa Maria in Aracoeli a fre: Convent of S. Marco, Florence
- Leonardo da VinciLeonardo da Vinci ( April 15, 1452 May 2, 1519) was a celebrated Italian Renaissance architect, musician, inventor, engineer, sculptor and painter. He has been described as the archetype of the " Renaissance man" and as a universal genius. Leonardo is wel: Uffizi Gallery, Florence
- Filippo Lippi: National Gallery of Art, Washington, DC
- Lo Spagna: altarpiece, Museo S. Francesco, Trevi
- Mantegna: Getty Museum
- Masaccio: predella from the Pisa altarpiece: Gemäldegalerie, Berlin
- Memling: Museo del Prado, Madrid
- Murillo: Toledo Museum of Art, Toledo, Ohio
- Nicola Pisano: Baptistry, Pisa
- Perugino: fresco, church of the Madonna delle Lacrime, Trevi; fresco, Oratorio dei Bianchi, Città della Pieve ; National Gallery of Umbrian Art, Perugia
- Poussin: Gemäldegalerie, Dresden
- Rubens: Royal Fine Arts Museum, Antwerp
- Tiepolo: Alte Pinakothek, Munich
- Velazquez: Museo del Prado, Madrid
- Rogier van der Weyden: St Columba Altarpiece, Alte Pinakothek, Munich
Christian art
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